Part 4 – Willem Adriaensz Key (1515-16-1568) - Portrait of a young woman
1543. 92x83
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The sitter’s attire reveals details about her social standing. A dark, high-necked garment forms the base of her ensemble, overlaid with a luxurious fur stole draped across her shoulders. The furs rich color and texture suggest considerable wealth and status. A narrow red sash cinches her waist, adding a subtle accent to the otherwise somber palette. The elaborate white ruff framing her neck is characteristic of the period’s fashion and signifies refinement and affluence.
Her hands are clasped gently in front of her, adorned with several rings on one hand – further indicators of prosperity. The inscription visible near the upper left corner, 1543. AEATIS SVAE 28, denotes the year of creation and the sitter’s age at the time, providing a concrete anchor to the historical context.
The artists technique is notable for its meticulous rendering of textures – from the sheen of the fabric to the softness of the fur and the delicate folds of the ruff. The lighting is diffused, creating soft shadows that subtly model her features and contribute to an overall impression of quiet dignity.
Beyond a straightforward depiction of a person, the painting conveys subtexts related to identity and social position. The formality of the pose and attire suggests a commissioned portrait intended to establish or reinforce the sitter’s place within society. The restrained expression, while not overtly joyful, communicates a sense of self-possession and perhaps even a degree of reserve, hinting at an inner life beyond what is immediately visible. The overall effect is one of carefully constructed presentation – a visual statement about status, virtue, and lineage.