Part 4 – Tizian (1488-90-1576) - Clarissa Strozzi at age 2 years
1542. 121x104
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Двух лет?..
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A small dog, likely a Papillon or similar breed, stands beside her on a low table. The girl gently strokes its head, suggesting affection and companionship. This interaction contributes to a sense of innocence and domesticity. Below the table, within a carved relief panel, are depicted several playful puppies, further reinforcing themes of youth, vitality, and familial bonds.
The setting is divided into distinct zones. Behind the child, a dark wall is punctuated by an inscription in Latin, partially obscured but suggesting a dedication or memorialization. To the right, a window offers a glimpse of a distant landscape – a rolling terrain dotted with trees under a clear sky. The contrast between the close-up intimacy of the girl and dog and the expansive view beyond creates a sense of depth and invites contemplation about her place within a larger world.
The color palette is dominated by warm tones – creams, golds, and browns – which contribute to an overall feeling of richness and opulence. The use of light is particularly noteworthy; it illuminates the child’s face and gown, drawing attention to her youthful beauty while leaving the background in relative shadow. This technique enhances the sense of three-dimensionality and focuses the viewers gaze on the central figure.
Subtly embedded within this portrait are indications of status and lineage. The elaborate dress, the gold jewelry, and the carefully arranged setting all point towards a family of considerable wealth and social standing. The inscription on the wall likely serves to commemorate the child or her family, solidifying their place in history. The inclusion of the dog, a symbol of loyalty and companionship, further underscores the values associated with aristocratic life. Ultimately, this work is not merely a depiction of a young girl; it’s a carefully constructed statement about identity, heritage, and belonging within a specific social context.