Philip Jacob Thelott (Attributed) – Two dogs and two parrots on a patio
1724. 20×23
Location: National Museum (Nationalmuseum), Stockholm.
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On the left side of the composition, a parrot perches on the edge of a woven basket containing another bird, both facing towards the right. A black and tan dog is situated in front of this arrangement, its body angled slightly away from the viewer, suggesting an attentiveness directed beyond the frame. The second dog, positioned to the right, rests upon a plush cushion, gazing intently at the parrots. Its posture conveys a sense of relaxed observation.
The column itself is adorned with decorative elements and inscribed with the words Perro and Perro Papa, likely denoting the dogs names or familial relationship. Below each dog are further inscriptions: “Monsieur Häuschen Sigrib” and “Monsieur Häuschen Ondlen.” These suggest that the animals were pets belonging to individuals named Sigrib and Ondlen, respectively, adding a layer of personal significance to the scene.
The color palette is restrained, dominated by earthy tones – browns, tans, and grays – punctuated by the vibrant yellows and greens of the parrots. The red curtain draped behind the column introduces a note of richness and visual depth. Light falls unevenly across the patio, creating areas of shadow that enhance the three-dimensionality of the figures.
Subtleties within the painting hint at themes of companionship and domesticity. The interaction between the dogs and parrots, though not overtly demonstrative, implies a shared space and perhaps even a degree of familiarity. The inscriptions personalize the scene, transforming it from a generic depiction of animals into a portrait of beloved pets. The setting itself – an enclosed patio – suggests privacy and leisure, reinforcing the sense of a comfortable, sheltered existence. The overall effect is one of quiet observation and understated elegance, capturing a fleeting moment in the lives of these animals and their owners.