Benjamin Stillingfleet (1733-1810) Johann Zoffany (1733-1810)

The portrait presents a man seated at a table, positioned three-quarters to the viewers left. He is depicted in a dark green velvet coat with gold buttons, paired with a crisp white shirt and lace jabot. A powdered wig, characteristic of the period, frames his face. The background is predominantly dark, receding into shadow which emphasizes the figure’s presence.
The man holds a book in his left hand, its spine displaying traces of gilt lettering and red leather. His right hand rests upon another volume on the table, suggesting an engagement with scholarly pursuits or intellectual activity. A partially visible document lies adjacent to these books, hinting at correspondence or perhaps legal matters. The table itself is richly ornamented, exhibiting a dark wood grain and intricate carvings that contribute to the overall sense of refinement and status.
The lighting in this painting is carefully controlled; it illuminates the man’s face and hands, drawing attention to his expression. His gaze is direct, conveying an impression of intelligence and perhaps a degree of self-assurance. The subtle smile plays on his lips, suggesting a reserved but amiable character.
Subtly, the composition conveys themes of erudition and social standing. The choice of dark green for the coat might signify wealth and authority, while the books and documents underscore intellectual pursuits. The darkness enveloping the figure could be interpreted as representing the weight of responsibility or perhaps the complexities inherent in his position within society. Overall, the painting aims to portray a man of learning and consequence, carefully constructed through details of dress, posture, and setting.