#45120 Arturo Souto

The composition presents a fractured and fragmented scene, devoid of readily identifiable subject matter in a conventional sense. The artist has eschewed representational accuracy, opting instead for a construction of geometric forms and planes that interlock and overlap. A dominant palette of ochre, deep blues, greens, and reds creates a visual tension, while the dark background contributes to an overall feeling of enclosure or confinement.
Here we see a layering effect; shapes appear both in front of and behind one another, defying traditional spatial perspective. The brushwork is vigorous and textured, suggesting a deliberate rejection of smooth surfaces and polished finishes. This impasto technique adds physicality to the forms, emphasizing their materiality.
The arrangement of these elements suggests a sense of upheaval or disruption. Theres no clear focal point; instead, the eye is compelled to move across the canvas, tracing the contours of the various shapes. The sharp angles and abrupt transitions contribute to this feeling of instability. It’s possible to interpret the work as an exploration of psychological states – perhaps anxiety, disorientation, or a sense of being overwhelmed by external forces.
The absence of recognizable figures or landscapes invites viewers to project their own meanings onto the composition. While seemingly abstract, theres a palpable emotional weight conveyed through the color choices and dynamic arrangement of forms. The painting doesn’t offer easy answers; it presents a complex visual puzzle that resists straightforward interpretation. It seems to be less about depicting something concrete and more about conveying an atmosphere or feeling – a sense of inner turmoil rendered in fragmented shapes and intense colors.