Jan Soreau (Attributed) – Still Life with Fruit and Flowers
45×65
Location: National Museum (Nationalmuseum), Stockholm.
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To the left of the central dish, a small porcelain bowl overflows with raspberries, their vibrant red contrasting sharply with the cooler tones of the fruit on the plate. Scattered across the wooden tabletop are segments of citrus fruit – likely oranges or lemons – and a scattering of cherries, adding further visual complexity and reinforcing the theme of abundance.
A cluster of flowers occupies the right side of the scene. These include tulips, roses, and smaller blossoms arranged in a glass vase. The petals exhibit delicate gradations of color, from pale pink to deep crimson, while the foliage is rendered with a similar level of detail as the grapes. A fallen rose petal lies on the table, hinting at the fleeting nature of beauty and life.
The wooden surface upon which these objects rest appears aged and worn, its grain meticulously depicted. The dark background serves to isolate the still life elements, intensifying their colors and forms. Light falls from an unseen source, illuminating the fruit and flowers while casting deep shadows that contribute to a sense of depth and volume.
Beyond the purely decorative aspects, the arrangement carries symbolic weight. Fruit, particularly grapes, have long been associated with prosperity, fertility, and indulgence. The inclusion of roses, symbols of love and transience, introduces an element of melancholy or contemplation regarding the passage of time and the inevitability of decay. The scattered fruit and fallen petal can be interpreted as reminders of mortality – a common theme in still life paintings. The porcelain bowl might suggest refinement and domesticity, while the overall arrangement speaks to a celebration of earthly pleasures, albeit tempered by an awareness of their impermanence.