Tamehana 1900 50.5x40.7cm Charles Frederick Goldie (1870-1947)

The portrait presents a man in profile, viewed from approximately three-quarter angle. He is depicted against a dark, indistinct background that allows his features and attire to dominate the composition. The artist has employed a palette dominated by earthy tones – ochres, browns, and greens – which contribute to a sense of gravitas and perhaps even melancholy.
The man’s face exhibits pronounced bone structure; a strong brow ridge, a prominent nose, and a firm jawline are clearly delineated. A thick mustache covers the upper lip, adding to his imposing presence. The skin tone is rendered with considerable detail, suggesting age and exposure to the elements – subtle variations in color indicate texture and shadow play across the face. His eyes, though not directly visible due to the profile view, seem to convey a sense of introspection or perhaps quiet determination.
He wears what appears to be a tailored jacket over a lighter shirt, with a patterned scarf knotted at the collar. The fabric’s folds are rendered with loose brushstrokes, suggesting movement and adding visual interest to the clothing. The details of the garment suggest a degree of formality, yet the overall impression is one of understated dignity rather than ostentation.
The backgrounds darkness serves not only to isolate the subject but also to emphasize the play of light on his face and shoulders. This creates a dramatic effect, drawing attention to his features and conveying a sense of depth. The brushwork throughout the painting appears relatively loose and expressive, indicative of an artist interested in capturing not just likeness but also character and mood.
Subtly, there’s a suggestion of cultural identity conveyed through facial characteristics and attire. While specific details remain ambiguous without further context, the portrait evokes a sense of heritage and perhaps even resilience. The mans gaze seems directed towards something beyond the viewer, hinting at an internal narrative or a connection to a place or people not immediately visible within the frame.