The last of the cannibals Tumai Tawhiti 1913 75x62cm Charles Frederick Goldie (1870-1947)

The portrait presents a man rendered with meticulous detail within an oval frame. He is positioned in profile, his gaze directed downwards and slightly away from the viewer. The composition emphasizes his age; grey hair streaks through his dark locks, which are adorned with feather-like ornaments at the temples. His skin bears extensive facial markings – a complex arrangement of spirals, lines, and dots that cover much of his face and neck. These tattoos appear to be a significant element of his identity and status.
The man is draped in what appears to be a cloak or shawl composed of long, dark fringe layered over a lighter fabric. A carved pendant hangs from his chest, its intricate design echoing the patterns found in his facial markings. The background is indistinct, suggesting an interior space with wooden paneling that fades into shadow. This lack of detail directs attention solely towards the subject.
The overall effect conveys a sense of solemnity and quiet dignity. Theres a palpable weight to his expression; it suggests contemplation or perhaps melancholy. The elaborate tattoos, combined with his age and bearing, imply a man who carries significant history and experience. The darkness surrounding him contributes to an atmosphere of isolation, hinting at the potential loss of tradition or cultural identity.
The artist’s choice to depict this individual in profile is noteworthy. It avoids direct eye contact, fostering a sense of distance and respect. This technique allows for a focus on the mans physical features and the intricate details of his adornments, rather than an immediate emotional connection with the viewer. The oval frame further isolates him, reinforcing the impression of a figure removed from contemporary society, preserved within a moment in time.