Anaha Te Rahui 1916 61.5x51cm Charles Frederick Goldie (1870-1947)

The oval composition presents a portrait of a man, rendered with meticulous realism and a palpable sense of gravitas. He is depicted in profile, his gaze directed towards an unseen point beyond the frame. The artist has focused intently on capturing the details of his age: deep lines etched around the eyes and mouth, a receding hairline revealing patches of scalp, and a neatly trimmed beard streaked with grey.
The man’s attire suggests ceremonial significance. He wears what appears to be a cloak or shawl composed of dark feathers, which cascade over his shoulders and partially obscure the upper portion of his body. A single feather is secured within his hair, adding height and emphasizing the formality of the presentation. A pendant hangs around his neck; its green hue contrasts with the darker tones of his clothing and skin. The presence of a facial tattoo, visible on his cheek, further underscores his status or affiliation within a specific cultural context. A small earring is also noticeable in his earlobe.
The background is indistinct, hinting at an interior space – perhaps a meeting house or ceremonial hall – characterized by vertical wooden panels. This blurred backdrop serves to isolate the figure and direct attention solely towards him. The lighting is carefully orchestrated; it illuminates the man’s face and neck, highlighting the texture of his skin and emphasizing the contours of his features. Shadows are used effectively to create depth and volume, contributing to a three-dimensional quality in the portrait.
Beyond the straightforward depiction of an individual, the painting conveys a sense of dignity and resilience. The mans posture is upright, suggesting pride and composure. The artist’s attention to detail – the careful rendering of skin texture, the precise placement of each feather – implies respect for the subject and his cultural heritage. There is a quiet strength in his expression; it speaks not only of age but also of experience and perhaps even hardship. The portrait seems intended as a record, an attempt to preserve a likeness and convey something of the man’s character and position within his community.