Aristarkh Lentulov – moscow 1913
Location: The State Tretyakov Gallery, Moscow (Государственная Третьяковская галерея).
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The composition lacks traditional perspective; spatial relationships appear flattened and compressed. Buildings seem to pile upon one another without discernible order, their outlines dissolving into the surrounding colors. The domes, recurring motifs throughout the scene, are not depicted realistically but rather as geometric shapes contributing to the overall pattern of fragmentation.
Within this architectural jumble, indistinct human figures can be discerned – dark silhouettes moving amongst the structures. They appear small and insignificant against the scale of the buildings, suggesting a sense of anonymity or perhaps even alienation within the urban environment. The artist has not prioritized individual identity; instead, they emphasize the collective experience of inhabiting such a space.
The sky, visible at the top of the painting, is rendered in deep reds and oranges, contributing to the overall feeling of intensity and unease. This fiery backdrop contrasts with the cooler tones of the buildings below, creating a visual tension that permeates the entire work.
Subtly, theres an impression of dynamism – a sense that this city is not static but rather constantly in flux. The fractured forms and vibrant colors convey a feeling of energy and transformation, hinting at a period of significant social or political change. It’s possible to interpret the painting as a visual representation of modernity – the rapid urbanization and industrialization that characterized the early 20th century – and its impact on human life. The lack of clear definition and the overwhelming density suggest both excitement and anxiety about this new era.