#09625 Amparo Segarra

The composition presents a surreal juxtaposition of disparate elements within what appears to be an urban setting. A woman, clad in a checked shirt and trousers, is prominently positioned atop a large, dark brown horse, proceeding along a bridge structure. The perspective suggests she is moving towards the viewer. Behind her, a red double-decker bus occupies a significant portion of the right side of the frame. Passengers are visible within the buss upper deck, their faces and attire suggesting a theatrical or costumed quality.
In the foreground, two figures strain to pull a large, cylindrical object – resembling a drum or barrel – across the bridge’s walkway. These individuals are depicted with exaggerated musculature and scant clothing, evoking classical statuary while simultaneously introducing an element of absurdity. Their posture conveys considerable effort, yet their task seems disconnected from any discernible purpose within the scenes context.
The background reveals a cityscape characterized by tall, rectangular buildings – likely representing a modern urban environment. The architectural style is somewhat generic, lacking specific identifying features. A lamppost stands prominently on the left side of the bridge, contributing to the sense of an established, albeit unusual, location.
The color palette is dominated by reds, browns, and muted tones, lending a slightly aged or faded quality to the image. The overall effect is one of unsettling incongruity; familiar elements – a woman riding a horse, a bus, urban architecture – are combined in a manner that defies logical explanation. This deliberate disruption of expectations suggests a commentary on societal norms, perhaps exploring themes of power, labor, and spectacle. The theatrical passengers within the bus could be interpreted as representing a constructed reality or a critique of public performance. The straining figures pulling the drum-like object might symbolize futile effort or the burden of unseen responsibilities. Ultimately, the work invites contemplation regarding the nature of perception and the potential for absurdity inherent in everyday life.