Vasily Kandinsky – Swinging
1925.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the left, vertical lines undulate across a blue surface, creating a sense of movement and rhythm. Below this, circular forms are stacked, alternating between dark and lighter hues, contributing to a visual cadence. A series of horizontal bands, rendered in warm tones, appear on the right side, contrasting with the cooler palette elsewhere. Spheres of varying sizes and colors – black, orange, green – are scattered throughout the composition, acting as focal points that draw the eye across the surface.
The color scheme is restrained but nuanced. Pale blues and grays form a backdrop against which more saturated tones – reds, oranges, greens – emerge. The use of transparency allows for layering and visual depth; shapes seem to float or intersect one another without clear boundaries.
Theres an intentional ambiguity in the arrangement. While geometric precision is evident, there’s also a sense of spontaneity and improvisation. The forms dont coalesce into a recognizable scene but instead suggest a dynamic interplay between opposing forces – stability and movement, structure and fluidity. One might interpret this as a visual exploration of balance, or perhaps an attempt to represent the intangible qualities of experience through abstract means. The overall effect is one of controlled chaos, inviting contemplation rather than offering definitive meaning.