Vasily Kandinsky – Woman in Moscow
1912.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 3 Ответы
Hello!
I like Kandinsky, but I cant quite understand the black silhouette in the painting Woman in Moscow...
Please explain it, or provide a link to an explanation by a knowledgeable art expert.
THANK YOU! :LE!
[email protected]
Your question, Anatoly, arises because you are looking for meaning in what you see. In modern painting (art moderne), meaning is largely absent. A childs kaleidoscope, when spun for a long time, will not show you a single image comparable to the masterpieces of Kandinsky. This decorative and applied art appeals not to the head, but to the eyes, because it is not art, but a game with art. Any game has its own meaning within itself, so explaining the role of the black spot (body?) in the painting Woman in Moscow is impossible, and interpreting it is left to your discretion by Kandinsky himself.
The black spot, ready to obscure the suns disc, represents an obstacle that prevents Sophia from returning to her original spiritual state. (http://v-kandinsky.ru/vasilij-kandinskij-dama-v-moskve/)
You cannot comment Why?
The woman’s attire is unusual; she wears an elaborate gown with a low-cut neckline and a decorative trim, which contrasts sharply with the seemingly ordinary setting. A small, pale animal rests on a circular table held by a slender stand beside her. The presence of this creature adds a layer of ambiguity to the scene – it could be interpreted as a companion, a symbol of domesticity, or perhaps even an object of contemplation for the woman.
Behind the figure, a carriage pulled by horses moves along the street, populated with indistinct figures. This suggests movement and activity within the city, yet the central woman remains static, seemingly disconnected from this flow. A child in red is visible on the left side of the composition, adding another layer to the narrative – perhaps representing innocence or future generations.
The color palette is bold and unconventional. Warm yellows and oranges dominate the figure’s clothing and the immediate foreground, while cooler blues and purples define the cityscape behind her. The use of contrasting colors creates a sense of visual tension and emphasizes the isolation of the woman within this urban landscape. A large, dark shape looms over the scene on the right side, its form amorphous and unsettling; it could be interpreted as a symbolic representation of an impending threat or an oppressive force.
The perspective is distorted, with the cityscape appearing to slope upwards towards the background, creating a sense of unease and disorientation. The overall effect is one of alienation and psychological complexity. Here we see not merely a depiction of a woman in a city, but rather an exploration of themes such as isolation, societal expectations, and the individual’s place within a rapidly changing world.