Plate VII, from the series Collection of the Main Actions in a Bullfight Antonio Carnicero (1748-1814)

The composition presents a scene unfolding within a fenced enclosure, presumably a bullring. A large bovine dominates the left side of the frame, its bulk rendered with considerable detail in muted tones. The animal appears alert, its head turned slightly towards the central action. Its stance suggests a restrained power, hinting at potential movement rather than immediate aggression.
Arranged before it are several figures engaged in what seems to be a ritualized interaction. A man, distinguished by his elaborate costume – a vibrant red jacket and dark trousers – is positioned prominently on the right. He gestures with an animated hand, seemingly directing or provoking the bull’s attention. His posture conveys a sense of theatricality and control, despite the inherent danger of his proximity to the animal.
Several other individuals are present, some observing from behind the barrier, others closer to the action. Their attire varies, suggesting different roles within this spectacle – perhaps spectators, assistants, or participants in the unfolding drama. One figure, positioned near the bull’s feet, appears to be attempting a more direct engagement with the animal, crouching low and extending an arm towards it.
The background is defined by a series of wooden fences, rendered with meticulous attention to perspective and texture. These barriers serve not only as physical constraints but also visually frame the scene, emphasizing the contained nature of the event. The limited color palette – primarily earth tones punctuated by the red of the central figure’s costume – contributes to a sense of formality and tradition.
Subtly embedded within this depiction is an exploration of power dynamics. The man in the elaborate costume embodies human dominance over the natural world, asserting control through gesture and performance. However, the bulls presence introduces an element of unpredictability, reminding the viewer of the inherent risk involved. The scene suggests a complex interplay between tradition, spectacle, and the precarious balance between human agency and animal force. The arrangement of figures also implies a hierarchy – the costumed man at the forefront, the observers distanced, and those closer to the bull seemingly in a position of vulnerability.