Muchacha Con pato (The duck Girl) Daniel Hernández Morillo (1856-1932)

Here we observe a young girl holding a large duck in her arms. She is positioned centrally within the composition, against a dark and indistinct background that allows for greater focus on the figure. The girl wears a simple headscarf of pale pink fabric, which frames her face and draws attention to her expression. Her gaze is direct, meeting the viewers with an air of quiet confidence rather than shyness or apprehension.
The duck itself dominates much of the visual space, its plumage rendered in meticulous detail, showcasing the artist’s skill in capturing texture and light. The bird appears well-fed and robust, suggesting a degree of prosperity within the girl’s environment. She cradles it gently, her arms wrapped around its body, indicating a familiarity and perhaps even affection for the animal.
A woven basket hangs from her arm, overflowing with apples and berries. This detail introduces an element of abundance and domesticity. The fruits suggest harvest time, signifying sustenance and prosperity. Their placement within the basket also implies that they are intended to be shared or offered, hinting at generosity and community.
The artist has employed a muted color palette, dominated by earthy tones – browns, greens, and pinks – which contribute to a sense of rustic simplicity and authenticity. The lighting is soft and diffused, creating a gentle atmosphere and highlighting the textures of the fabrics and feathers.
Subtly, the painting conveys themes of rural life, innocence, and connection with nature. The girl’s direct gaze suggests an unvarnished honesty and resilience characteristic of those who live close to the land. The presence of the duck and the basket of fruit implies a self-sufficient existence, where resources are gathered and shared within a community. There is a quiet dignity in her posture and expression that speaks to a life lived with purpose and simplicity.