Jan Brueghel The Elder – El Gusto, el Oído y el Tacto
1620, 176 cm x 264 cm, Lienzo, Óleo.
Location: Prado, Madrid.
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Several individuals are engaged in various activities: one figure delicately tastes a piece of fruit, another seems to be listening intently, while a third is palpating an object held in their hand. These actions appear deliberate, almost staged, hinting at a focus on sensory experience. The central female figure, dressed in red, dominates the scene with her posture and gaze directed outwards, beyond the immediate group. Her expression conveys a sense of introspection or perhaps even sadness, which contrasts with the apparent opulence surrounding her.
Behind the table, a series of arched openings reveal a landscape bathed in muted light. The distant view includes what appears to be a classical ruin, partially obscured by mist, adding a layer of symbolic depth. This backdrop introduces an element of transience and decay, potentially commenting on the fleeting nature of earthly pleasures or the inevitable passage of time.
Above the scene, within the architectural framework, there is a small relief depicting figures in a dramatic pose. The meaning of this upper register remains ambiguous but it could represent allegorical elements related to the themes explored below – perhaps personifications of virtues or vices associated with sensory indulgence.
The overall effect is one of restrained elegance and subtle psychological complexity. While the scene depicts abundance, theres an underlying sense of unease and introspection that prevents a straightforward interpretation of pleasure and enjoyment. The artist seems interested in exploring the nuances of human perception and experience, suggesting that even within moments of apparent luxury, deeper emotions and reflections can be present.