TER BRUGGHEN THE CALLING OF SAINT MATTHEW, UTRECHT Hendrick Terbrugghen (1588-1629)

The composition presents a scene bathed in dramatic chiaroscuro, with a strong contrast between areas of intense illumination and deep shadow. Here we see a group of men gathered around a table laden with papers, coins, and writing implements. The light source originates from the left side of the canvas, highlighting specific figures while obscuring others in darkness.
A young man, positioned on the far left, gestures emphatically towards an older gentleman seated at the table. His posture is dynamic, suggesting urgency or a direct appeal. This figure’s face is partially obscured by shadow, adding to the sense of mystery surrounding his intentions. The older man, presumably the central figure, appears startled and somewhat hesitant, his hand raised in a gesture that could be interpreted as surprise or questioning. He leans forward slightly, drawn into the interaction initiated by the younger man.
Around them are several other men, each exhibiting distinct reactions to the unfolding event. One individual, positioned behind the older gentleman, displays an expression of intense curiosity and scrutiny, his gaze fixed on the scene before him. Another, standing further back, seems more detached, observing with a degree of skepticism or amusement. The varied expressions contribute to the narrative complexity of the moment.
The artist employed a palette dominated by earth tones – browns, ochres, and muted reds – which reinforce the sense of realism and immediacy. The textures are rendered with considerable detail; one can discern the roughness of fabrics, the sheen of coins, and the wrinkles on the faces of the men.
Subtly embedded within this scene is a suggestion of moral reckoning. The presence of money and documents implies a world of commerce and earthly pursuits, which are abruptly interrupted by the arrival of the younger man. His gesture could be interpreted as an invitation to abandon those worldly concerns and embrace a higher calling. The older gentleman’s reaction suggests internal conflict – a struggle between his current life and the possibility of something more profound.
The arrangement of figures creates a sense of intimacy, drawing the viewer into the heart of this pivotal moment. The use of light and shadow not only enhances the dramatic effect but also serves to direct attention towards key elements within the composition, guiding the eye through the narrative unfolding before us.