Part 4 Louvre – Perugino (c. 1450-1523) -- Saint Jerome Resuscitating Cardinal Andrea
c.1473, 31х30
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The person in the bed is dressed in white robes and a tall, pointed headdress indicative of ecclesiastical rank. His expression conveys surprise and perhaps nascent awareness; his hands are raised slightly as if reacting to an unexpected touch or sensation. The bed itself is draped with dark fabric, adding visual weight to that portion of the scene.
Behind these two central figures, another man appears in a state of apparent shock or distress. He leans forward, his face tilted upwards and mouth open, suggesting astonishment at what he witnesses. His attire mirrors that of the standing figure, reinforcing a sense of shared status or affiliation.
The architectural setting is rendered with a degree of simplicity. A window, divided into small panes, provides a source of light from an unseen exterior. The walls are plain, and the floor appears to be covered in green fabric. This restrained background directs attention towards the figures and their interaction.
Subtleties within the painting suggest layers of meaning beyond a straightforward depiction of healing or intervention. The elaborate clothing and headwear of the men indicate positions of power and privilege within the Church hierarchy. The gesture of offering from the standing figure could be interpreted as an act of intercession, perhaps invoking divine assistance. The shocked expression of the man in the background hints at the extraordinary nature of the event being portrayed – a possible miracle or resurrection. The overall effect is one of solemnity and reverence, emphasizing themes of faith, healing, and the power of spiritual intervention within a context of high social standing.