Albert Herter – Pilgun Yoon as Aladdin
c.1924. oil on canvas
Location: Brooklyn Museum, New York.
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The most striking feature is undoubtedly the headwear – an ornate structure composed of multiple tiers, adorned with intricate patterns and what appear to be dangling decorative elements. This headdress dominates the upper portion of the composition, drawing immediate attention and establishing a sense of elevated status. Long, turquoise-colored tassels cascade down from the headpiece, framing the face and adding verticality to the figure’s presence.
The garments themselves are equally elaborate. A richly embroidered robe covers the body, displaying a vibrant palette of blues, greens, yellows, and pinks. The patterns woven into the fabric appear both organic and geometric, creating a dynamic visual texture. Wide sleeves, lined with what seems to be a lighter material, add volume and further emphasize the theatrical nature of the costume. A decorative sash or belt cinches the waist, highlighting the figure’s form beneath the layers of clothing.
The subjects expression is relatively neutral; a slight upward tilt of the lips hints at an underlying confidence. The gaze is directed forward, creating a sense of direct engagement with the viewer. The skin tone appears smooth and idealized, contributing to the overall impression of a carefully constructed persona.
Subtleties in the painting suggest a deliberate interplay between tradition and modernity. While the costume evokes historical or cultural references – likely East Asian imperial court dress – the subject’s features and posture possess a contemporary quality. This juxtaposition could be interpreted as an exploration of identity, heritage, and performance within a shifting social landscape. The dark background serves to isolate the figure, intensifying the focus on the elaborate costume and the individuals presentation. It also creates a sense of mystery, inviting speculation about the context and meaning behind this carefully staged portrait.