#27002 Jesus Gomez Costa

The composition presents a striking and unsettling fusion of human form and musical instrument. Here we observe what appears to be the lower torso and legs of a female figure integrated into the shape of a double bass or cello. The instruments body forms the central mass, while the legs extend from its sides, terminating in high-heeled shoes that echo the curves of the instrument’s f-holes. A frilled garment, seemingly lingerie, is draped around the lower portion of the figure, further blurring the boundaries between flesh and wood.
The color palette is dominated by warm ochres and browns for the instrument/figure, contrasted against a dark, textured background that suggests an undefined space or perhaps a void. A lighter area at the base provides a visual anchor, creating a sense of depth and highlighting the unusual combination of elements.
Subtexts within this work revolve around themes of transformation, sexuality, and the merging of disparate realms. The integration of the human form into the musical instrument suggests a symbolic union between physicality and artistic expression. The female figure’s posture, while seemingly relaxed, carries an air of vulnerability and perhaps even entrapment, as if she is both contained within and emanating from the instrument.
The high-heeled shoes introduce a layer of theatricality and artificiality, hinting at performance or constructed identity. They also contribute to the unsettling nature of the image by emphasizing the incongruity of the figure’s placement and form. The dark background amplifies this sense of isolation and mystery, leaving the viewer to ponder the significance of this peculiar amalgamation. Overall, the painting explores a complex interplay between human presence and artistic representation, challenging conventional notions of beauty and form.