Johan Henrik Scheffel – Hedvig Elisabet Paulin (1716-1806)
Was married to the commercial council Jonas Alströmer
Location: National Museum (Nationalmuseum), Stockholm.
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The womans gaze is directed towards the viewer, establishing a direct connection intended to convey intelligence and composure. Her expression is subtle; it avoids overt displays of emotion, instead suggesting a quiet dignity and self-assurance. The artist has rendered her skin with meticulous attention to detail, capturing the delicate texture and soft lighting that were hallmarks of portraiture during this period.
Her elaborate hairstyle, piled high and adorned with flowers and what appears to be a jeweled ornament, is characteristic of fashionable coiffures of the time. This ornamentation serves not only as an aesthetic element but also as a visual indicator of her social standing. The dress itself is noteworthy; it features a low-cut neckline revealing a portion of the shoulders and upper chest, a style indicative of contemporary fashion trends emphasizing elegance and sensuality within acceptable societal boundaries. The contrasting colors – the pale cream or white of the bodice against the deep blue sleeves – create visual interest and highlight the sitter’s complexion.
The subdued background contributes to the overall impression of restraint and formality. It allows the viewers attention to remain focused on the woman herself, reinforcing her importance as the subject of the portrait. The lighting is soft and diffused, minimizing harsh shadows and creating a flattering effect that enhances her beauty and perceived virtue.
Subtly, there’s an implication of wealth and privilege conveyed through the quality of the fabrics, the intricacy of the hairstyle, and the overall presentation. Its likely intended to project an image of respectability and social prominence – a carefully constructed persona designed to solidify her place within a hierarchical society.