Chaïm Soutine – Poultry Hanging on Red Bricks
1924.
Location: Private Collection
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The background is defined by vertical planes of intense red, suggesting brickwork or some kind of architectural structure. These planes are not cleanly delineated; rather, they bleed into one another and the surrounding darkness, blurring any clear spatial definition. This ambiguity reinforces the feeling of confinement and claustrophobia. A circular form, faintly visible on the right side, seems to be a portrait, though its features are indistinct and distorted, adding an element of mystery or perhaps psychological distress.
The central focus is undeniably on the hanging birds. Their bodies appear pale against the dark background, their forms simplified to essential shapes. The lack of detail in their rendering contributes to a sense of dehumanization; they become objects rather than living creatures. This treatment evokes themes of mortality, sacrifice, and perhaps even exploitation.
The color choices are significant. Red, often associated with passion, violence, and danger, dominates the scene, creating an atmosphere of tension. The black serves as a backdrop that intensifies the impact of the red and highlights the vulnerability of the suspended fowl. The yellow-beige tones used for the birds’ bodies offer a slight contrast but do not alleviate the overall somber mood.
Subtly, there is a sense of voyeurism at play. The viewer is positioned as an observer of this unsettling scene, forced to confront the stark reality of life and death. The indistinct portrait in the background could be interpreted as a representation of the observer themselves, implicated in the act of witnessing. Overall, the painting conveys a powerful message about fragility, loss, and the darker aspects of human existence through its raw execution and symbolic imagery.