Vanmour, Jean Baptiste – Derwisjen aan de maaltijd, 1727-1737 Rijksmuseum: part 3

The composition presents a group of men gathered in what appears to be a domestic interior, likely within a wealthy household. The setting is defined by dark walls and a raised platform covered with cushions, suggesting a space for leisure or ceremonial activity. A heavy curtain hangs on the left side, partially obscuring the background and contributing to a sense of enclosure. Niches are carved into the wall, holding decorative objects – a vase in one, floral arrangements in another – which introduce elements of refinement and luxury.
The figures themselves are central to the scene. They are dressed in distinctive attire, most notably tall conical hats that immediately signal a particular cultural or religious affiliation. Several men smoke pipes, their posture relaxed and contemplative. One figure is seated at a low table laden with food and vessels, seemingly presiding over the gathering. The arrangement of individuals suggests an informal meal or convivial meeting.
The artist’s use of light contributes to the overall atmosphere. It illuminates the figures and the table setting while leaving much of the background in shadow. This directs attention towards the central group and emphasizes their importance within the scene. The color palette is dominated by earthy tones – browns, greens, and ochres – which evoke a sense of warmth and intimacy.
Beyond the surface depiction of a social gathering, subtexts emerge concerning cultural representation and observation. The painting likely served as an ethnographic record for European audiences unfamiliar with these customs. There’s a degree of distance in the artists gaze; while depicting a specific moment, he maintains a position of observer rather than participant. This creates a sense of exoticism – the figures are presented as ‘other,’ their rituals and dress marked as distinct from the viewer’s own cultural norms. The meticulous detail given to the clothing and objects suggests an interest in documenting these aspects of foreign culture, potentially for educational or commercial purposes.
The paintings appeal likely rested on its ability to offer a glimpse into a world perceived as both alluring and mysterious by European viewers during the period it was created.