Hundertwasser The 30 Day Fax Picture, 1994, 151x130 cm, Wien Hundertwasser

The artwork presents a densely populated and vibrant scene, dominated by architectural forms and whimsical figures set against a backdrop of intense color. The composition lacks a clear focal point; instead, it offers a panoramic view of a fantastical urban landscape. Buildings rise in irregular formations, characterized by undulating lines, asymmetrical windows, and an abundance of organic shapes that reject conventional geometric structures. These buildings are not arranged according to any discernible logic or perspective, contributing to the overall sense of dreamlike disorientation.
A prominent feature is the pervasive use of yellow and orange hues, which create a warm, almost feverish atmosphere. This warmth is punctuated by patches of blue, green, and red, adding visual complexity and preventing the composition from becoming monotonous. The application of paint appears energetic and spontaneous, with visible brushstrokes contributing to a sense of immediacy and movement.
Several anthropomorphic figures populate this world. A large, stylized figure resembling a creature – perhaps a hybrid of human and animal – is positioned centrally, holding what seems to be a communication device. This element suggests a commentary on modern technology and its intrusion into the natural or organic realm. Other smaller figures are scattered throughout the scene, engaged in ambiguous activities that defy easy interpretation. They appear as inhabitants of this peculiar city, seemingly oblivious to the strangeness surrounding them.
The presence of circular motifs – clocks, windows, and decorative elements – is noteworthy. These recurring shapes might symbolize the passage of time or a cyclical nature inherent within the depicted environment. The inclusion of what appears to be a vehicle with an open roof further reinforces the notion of mobility and perhaps even freedom from conventional constraints.
The black border surrounding the composition creates a sense of containment, isolating this fantastical world from any external reality. This framing device emphasizes the artworks self-contained nature and invites viewers to immerse themselves in its unique visual language. The overall effect is one of playful chaos, suggesting a critique of rigid structures and an embrace of individuality and unconventionality. It seems to celebrate a vision where architecture and life are intertwined in a joyful, albeit slightly unsettling, harmony.