Princess Anna Alexandrovna Golitzin Élisabeth Louise Vigée Le Brun (1755-1842)

Here we observe a portrait depicting a woman in what appears to be a formal setting. The subject is positioned on a lavishly upholstered green sofa, which serves as her primary support and anchors her within the composition. A plush cushion rests against the back of the sofa, providing additional comfort and contributing to an overall sense of opulence.
The woman’s attire immediately draws attention. She wears a flowing gown in shades of orange and cream, with delicate white sleeves that contrast with the richer tones of the main fabric. The dress is draped elegantly, suggesting both wealth and refinement. A distinctive red turban adorns her head, embellished with feathers that add a touch of exoticism to her appearance. Around her neck, she wears a string of pearls, a common symbol of status and purity in portraiture.
The woman’s posture conveys an air of relaxed confidence. She rests one hand on the armrest of the sofa, while the other hangs loosely at her side. Her gaze is directed slightly off-camera, suggesting a thoughtful or introspective state. The expression on her face is subtle; it hints at intelligence and perhaps a touch of melancholy.
The background is dark and indistinct, which serves to isolate the subject and focus attention entirely upon her. This use of chiaroscuro – the contrast between light and shadow – creates depth and enhances the dramatic effect of the portrait. The lighting itself appears soft and diffused, illuminating the woman’s face and highlighting the textures of her clothing.
Subtly, the painting conveys a sense of privilege and belonging to an elite social class. The luxurious fabrics, elaborate headdress, and refined posture all contribute to this impression. The slightly averted gaze might suggest a certain detachment from the viewer, reinforcing the subject’s position as someone elevated above everyday concerns. The overall effect is one of restrained elegance and quiet dignity, characteristic of aristocratic portraiture during the period.