Part 3 Prado Museum – Anónimo (Copia Coello, Claudio) -- Tránsito de la Magdalena
Finales del siglo XVII, 190 cm x 120 cm, Lienzo, Óleo.
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The background is dominated by a swirling vortex of clouds, painted in muted tones of grey, blue, and gold. This atmospheric perspective creates depth and emphasizes the figure’s movement towards an unseen destination. The lower portion of the painting depicts a darker, more indistinct landscape – a suggestion of earthly departure or transition.
The artist employs chiaroscuro to dramatic effect; the intense contrast between light and shadow draws attention to the central figure and amplifies the spiritual significance of her journey. The luminosity surrounding her suggests divine intervention or ascension. The use of vibrant color, particularly the red of her garments, serves to highlight her importance within the scene.
Subtly, there is a sense of movement and dynamism throughout the work. The swirling clouds, the flowing drapery, and the active gestures of the cherubs all contribute to this feeling of upward momentum. This suggests not merely a static depiction but an event in progress – a passage from one state of being to another. The composition’s verticality reinforces the notion of spiritual elevation and transcendence.
The presence of numerous figures, both human and angelic, hints at a complex narrative or theological concept. Their collective participation underscores the communal nature of faith and the support offered by divine entities during moments of profound transition.