46 The Seven Virtues: Hope Giotto di Bondone (1266-1337)

The composition presents a solitary figure, seemingly female and winged, positioned against a stark, dark backdrop. The individual is depicted in motion, reaching upwards towards an unseen object or destination just beyond the frames upper edge. A flowing garment drapes the body, its folds rendered with meticulous attention to detail, suggesting both grace and movement. The wings are substantial, feathered, and contribute significantly to the figure’s ethereal quality.
The background is dominated by a deep, almost impenetrable blue-black hue, punctuated by a network of delicate lines that resemble branches or roots extending downwards. This creates a sense of depth and complexity behind the central figure, hinting at an underlying structure or foundation. Above the reaching hand, a single word – SPES – appears in capital letters, providing a direct label for the subject’s identity.
In the upper right corner, a small, coiled serpent is visible, its form subtly integrated into the background. This element introduces a layer of symbolic complexity; serpents frequently represent temptation or adversity within religious iconography. The figures upward gaze and outstretched hand seem to be directed towards something beyond this potential threat, suggesting an aspiration that transcends earthly concerns.
The overall effect is one of yearning and striving. The artist has employed a limited palette – primarily white, blue-black, and subtle gradations of grey – which reinforces the sense of solemnity and spiritual focus. The figure’s posture conveys both vulnerability and determination; theres an element of precariousness in the upward reach, yet also a palpable sense of purpose. The work appears to explore themes of faith, aspiration, and the enduring human desire for something beyond immediate grasp, suggesting that hope resides just out of reach but remains attainable through effort and belief.