Location of the frescoes, Cappella degli Scrovegni

The diagram presents a schematic layout of a fresco cycle within a defined architectural space – presumably a chapel. The arrangement is structured around a central axis and divided into distinct thematic zones. A clear hierarchical organization is evident; the placement of numbered panels indicates a deliberate sequence and narrative progression.
Here we see three primary sections delineated: Scenes from the Life of Joachim, Scenes from the Life of the Virgin, and The Seven Virtues and Seven Vices. The “Scenes from the Life of Joachim” occupy the lower left quadrant, while those depicting “Scenes from the Life of the Virgin” are positioned in the upper left. A significant portion of the right side is dedicated to depictions related to Christ’s life and Passion, numbered sequentially from 28 onwards.
The spatial arrangement suggests a narrative flow. The Scenes from the Life of Joachim appear as a prelude, establishing familial context before transitioning into the “Scenes from the Life of the Virgin.” This progression culminates in events directly linked to Christs birth and early life, which are then followed by depictions of his Passion and Resurrection.
The inclusion of The Seven Virtues and Seven Vices – positioned centrally and extending down the right side – implies a didactic purpose. These virtues and vices likely serve as moral anchors for the narrative unfolding in the other sections, providing commentary on the actions and fates of the figures depicted. The placement suggests that these concepts are not merely illustrative but integral to understanding the overarching message conveyed by the fresco cycle.
The diagram’s design itself – with its numbered panels and clearly defined zones – underscores a deliberate attempt at creating a cohesive visual narrative, likely intended for devotional contemplation or instruction. The systematic arrangement implies an emphasis on order, piety, and moral guidance within the context of religious belief.