European art; part 1 – Armand Seguin Arbres en bord de riviГЁre – The Waterside Trees ca 1893 123219 1124
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist depicted a cluster of trees as the central focus. Their forms are not precisely defined; instead, they appear agitated, their branches twisting and swirling with an almost frenetic energy. This dynamism is further amplified by the dense network of lines that suggest movement within the foliage. The waters surface is indicated through subtle horizontal strokes, creating a sense of stillness in contrast to the turbulent trees.
The composition’s upper portion fades into a lighter tone, implying distance and atmospheric perspective. A suggestion of sky is present but indistinct, contributing to an overall feeling of enclosure and introspection. There is no clear horizon line; instead, the landscape seems to rise directly from the waters edge.
Subtly, there is a sense of melancholy conveyed through the restricted tonal range and the agitated quality of the trees. The lack of detail in the background encourages contemplation on the relationship between nature’s power and human perception. It suggests an exploration of emotional states projected onto the natural world – a feeling of unease or perhaps even awe in the face of overwhelming forces. The work doesnt offer a picturesque view, but rather a psychological study of a place, hinting at a deeper, less tangible reality beyond the visible surface.