Giovanni da Milano – Supper in the House of the Pharisee (school)
Location: Vatican Museums (Musei Vaticani), Vatican.
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The central figure, identifiable by his prominent halo and placement, gestures towards another man seated to his right. This gesture appears deliberate, possibly conveying instruction or initiating dialogue. The other men at the table exhibit varying degrees of engagement; one leans forward slightly, appearing attentive, while another seems more distant, his gaze directed elsewhere. The individual positioned below the table is draped in vibrant red fabric and bows his head, suggesting humility or perhaps a state of contemplation.
The artist employs a limited palette dominated by gold, blue, pink, green, and red. The gold serves not only as an accent color but also to highlight the spiritual nature of the scene through the halos and decorative elements on the chairs. The architectural backdrop is simplified, with a single arched doorway suggesting a transition into another space, though its details remain indistinct.
The arrangement of figures and their postures suggest a narrative tension. The central figure’s gesture and the varied responses of those around him imply an underlying conflict or disagreement. The bowed figure at the base of the composition introduces a sense of subservience or perhaps regret, adding complexity to the overall meaning. The formality of the setting contrasts with the potential for emotional turmoil evident in the figures expressions and body language.
The painting’s style is characterized by its flatness, lack of perspective, and stylized representation of human forms – features indicative of a medieval artistic tradition. The emphasis on symbolic elements over realistic depiction reinforces the spiritual message conveyed through the scene.