#13587 Pere Pruna

The drawing presents a portrait study executed in watercolor and ink on paper. Here we observe a figure, presumably female, rendered with loose brushstrokes and a limited palette dominated by browns, ochres, and blacks. The composition is vertically oriented, focusing primarily on the upper body of the subject.
The artist depicted the woman in a three-quarter pose, her gaze directed towards the viewer. Her features are simplified, lacking detailed rendering; this contributes to an overall impression of immediacy and spontaneity. A short bobbed hairstyle frames her face, further emphasizing the stylized nature of the portrait. The hands are loosely sketched, one resting gently on the stomach, suggesting a possible pregnancy or simply a gesture of quiet contemplation.
The background is indistinct, formed by washes of color that blend with the figures form, creating a sense of depth and atmospheric perspective. This lack of precise detail directs attention to the subject’s presence. The texture of the paper itself appears visible through the thin layers of paint, adding another layer of visual interest.
Subtleties within the work suggest an exploration of interiority rather than external appearance. The womans expression is ambiguous – a mixture of melancholy and serenity. This ambiguity invites interpretation; it could signify introspection, resignation, or perhaps a quiet strength. The gesture with her hands adds to this sense of inward focus.
The signature in the lower right corner, rendered in a delicate script, provides a temporal anchor – the year 1926 – placing the work within a specific historical context. Overall, the drawing conveys an impression of intimacy and psychological depth, achieved through a restrained technique and a deliberate avoidance of excessive detail.