На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The foreground is dominated by three individuals walking along the sidewalk. The man in the center, distinguished by his top hat and formal attire, seems to lead the group, while a woman accompanies him on his right. A figure pushing a pram occupies the left side of the composition, further populating the scene with everyday life. Their postures are somewhat stiff, their gazes directed forward, suggesting a preoccupation with navigating the environment rather than engaging in social interaction.
The color palette is muted and subdued, dominated by grays, browns, and greens, which reinforces the somber atmosphere of the rainy day. The light source appears diffused, casting soft shadows and contributing to the overall feeling of melancholy. A gas lamp stands prominently near the foreground figures, its glow adding a touch of warmth amidst the cool tones.
Subtly, the painting conveys themes of urban alienation and anonymity. While the buildings represent societal progress and architectural ambition, the individuals within this setting appear isolated and detached from one another. The uniformity of the architecture and the repetitive nature of the figures’ actions suggest a sense of routine and conformity. The rain serves as a visual metaphor for emotional distance or perhaps even a quiet sadness inherent in modern urban existence. It is not a depiction of joy or celebration, but rather an observation of ordinary people enduring a commonplace experience within a grand, impersonal cityscape.