Arthur Bowen Davies – An Antique Orison
~1914. 64×101 cm
Location: Art Institute, Chicago.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The color palette is muted, dominated by earthy tones – ochres, pinks, and browns – with occasional accents of green and blue that contribute to a dreamlike quality. The application of paint appears loose and gestural; brushstrokes are visible, contributing to the overall sense of fluidity and movement. Light falls unevenly across their bodies, highlighting certain areas while leaving others in shadow, which enhances the emotional depth of the scene.
The posture and expressions of the women suggest a shared confidence and vulnerability. The figure on the left rests her hand upon her chest, a gesture that could be interpreted as either protective or self-conscious. The woman to the right wears a wreath of leaves around her head, an element which introduces a symbolic layer – perhaps alluding to themes of nature, innocence, or ritual.
The background is indistinct and blurred, further emphasizing the focus on the interaction between the two figures. A suggestion of architectural elements can be discerned on the right side, but these are rendered in such a way as to avoid any sense of specific location or narrative context. The lack of detail encourages viewers to concentrate solely on the emotional connection being portrayed.
Subtly, there is an air of melancholy present. While the figures appear connected, their expressions are not overtly joyful; rather, they convey a quiet introspection and perhaps a hint of sadness. This ambiguity invites contemplation about the nature of relationships, memory, and the passage of time. The overall effect is one of poignant beauty and understated emotional complexity.