The vision of St Bernard, 1493, 173x170 cm, Alte Pi Pietro Perugino (1445-1523)

The composition presents a scene unfolding within a classical architectural setting. A central figure, presumably the subject of a divine encounter, sits on a low stool or bench, his hands raised in what appears to be either supplication or ecstatic reception. He is dressed in monastic robes, suggesting a life dedicated to religious contemplation and service. To his right stands a woman, her gaze directed towards him with an expression that blends reverence and perhaps a touch of apprehension. A male figure beside her, also clad in ecclesiastical garments, observes the scene with a more detached, analytical air; he holds what appears to be a staff or crozier.
On the left side of the painting, three female figures are arranged in a hierarchical manner. The foremost is draped in flowing green robes, while the two behind her wear lighter-colored attire. Their faces exhibit an ethereal quality and their gazes are directed towards the central figure, reinforcing his significance within this encounter.
The architectural framework itself contributes significantly to the painting’s meaning. A series of arches creates a sense of depth and perspective, drawing the viewers eye toward a distant landscape visible through the opening. This landscape is rendered with a muted palette, suggesting an idealized or spiritual realm beyond the immediate setting. The use of classical columns and pilasters lends a sense of grandeur and timelessness to the scene, aligning it with established traditions of religious iconography.
The arrangement of figures suggests a narrative unfolding – a moment of revelation or divine communication. The woman’s presence introduces a layer of complexity; she could represent faith, intercession, or perhaps even temptation. The male figures posture implies an intellectual understanding of the event, contrasting with the emotional intensity displayed by the central figure and the woman.
The painting’s color scheme is dominated by earth tones – ochres, browns, and greens – which contribute to a sense of solemnity and piety. The limited use of brighter colors draws attention to key elements within the composition, such as the red garment worn by the central figure, which may symbolize his divine nature or sacrifice.
The overall effect is one of profound spiritual significance, conveyed through carefully orchestrated gestures, expressions, and architectural setting. It speaks to themes of faith, revelation, and the intersection between the earthly and the divine.