Xaime Quessada – #04528
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 1 Ответы
* * *
Слишком разница велика
Между Богом и человеком.
Непонятна она пока
Жить не будем тотальным светом.
You cannot comment Why?
The artist has layered translucent figures across the surface, their bodies appearing distorted and partially submerged within the chromatic environment. These forms are not clearly defined; instead, they seem to dissolve into the background, suggesting a state of flux or transformation. The pale flesh tones are interwoven with shades of pink, purple, and blue, creating an unsettling ambiguity regarding identity and physicality.
Geometric shapes – a large yellow square and several angular planes – are integrated into the scene, further complicating the spatial relationships. These forms appear to float within the space, lacking a clear grounding or perspective. The color palette is intense and saturated; deep purples and reds dominate the background, while cooler blues and greens are used in the upper portion of the canvas. This creates a sense of visual tension and dynamism.
The subtexts embedded within this work seem to revolve around themes of fragmentation, memory, and the instability of perception. The blurred figures suggest a loss of individual identity or perhaps a merging with a larger collective consciousness. The architectural elements could represent structures of power or control, while their fractured appearance implies a breakdown or collapse of these systems. The overall effect is one of disorientation and dreamlike unreality, inviting viewers to question the nature of reality itself. Theres an underlying sense of melancholy conveyed through the muted tones within the vibrant palette, hinting at a deeper emotional complexity beneath the surface.