1964 TИte dhomme V Pablo Picasso (1881-1973) Period of creation: 1962-1973

The artwork presents a fragmented portrait, constructed from bold, angular forms and a restricted palette of black, white, yellow, red, green, and blue. The face is not rendered realistically; instead, its deconstructed into planes that overlap and intersect, creating a sense of disorientation and fractured identity.
Here we see the eyes depicted as elongated ovals with thick, dark lashes, conveying an intensity or perhaps anxiety. A prominent, red vertical form dominates the central area, likely representing the mouth or a stylized beard, its placement disrupting any conventional symmetry. The nose is suggested by a yellow shape that cuts diagonally across the face, further emphasizing the disjointed nature of the representation.
The artist employed broad brushstrokes and flat planes of color, eschewing shading or modeling to create depth. This contributes to a two-dimensional effect, flattening the image and intensifying its graphic quality. The green form on the right side appears as an extension of the head, possibly symbolizing hair or a mask-like element. A series of black dots are scattered across the face, adding texture and visual interest while also contributing to the overall sense of fragmentation.
The composition suggests a deliberate rejection of traditional portraiture conventions. The disjointed features and unconventional color choices imply an exploration of psychological states – perhaps anxiety, alienation, or a questioning of identity itself. The work seems less concerned with depicting a specific individual than with conveying a feeling or exploring the construction of perception. It’s possible to interpret this as a visual representation of inner turmoil or a commentary on the instability of selfhood in a rapidly changing world.