часть 2 - Russian and soviet artists Русские и советские художники – Портрет императрицы Марии Фёдоровны жены Александра III Холст масло 80х63 см
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has lavished attention on rendering the opulent jewelry adorning the woman. A tiara, encrusted with diamonds and what appear to be sapphires, sits upon her head. Around her neck rests a substantial necklace featuring a large sapphire pendant suspended by a diamond chain. Further embellishments include a sash across her chest, also adorned with jewels, and decorative pins on the fur shawl draped over her shoulders. The richness of these materials underscores the subject’s elevated social status.
The lighting is carefully controlled; it illuminates the face and jewelry while leaving the background in deep shadow. This technique draws attention to the womans features and emphasizes the brilliance of the jewels, creating a sense of depth and highlighting their tactile qualities. The fur shawl, rendered with visible brushstrokes, introduces textural contrast against the smooth surfaces of the skin and jewelry.
Beyond the straightforward representation of wealth and status, the portrait suggests an underlying narrative of duty and restraint. The woman’s gaze is steady but not inviting; her posture conveys a sense of formality that implies adherence to strict protocols. The veil, while adding a touch of romanticism, also serves as a visual barrier, reinforcing the distance between the subject and the viewer. This combination of lavish display and controlled demeanor likely aims to project an image of regal authority and unwavering commitment to her role within the established order.