Composicio ornamental 1925 Pere Daura

The drawing presents a stylized arrangement of geometric forms, seemingly intended as a design for ornamental purposes. Here we see a cluster of shapes that recall floral or botanical motifs, but rendered in a highly abstracted manner. Circular and diamond-like elements dominate the composition, interlinked by sinuous lines that suggest stems or tendrils. The artist employed a limited palette of grey, lavender, and muted pink hues, applied with a watercolor technique that lends a delicate texture to the work.
The forms are not precisely delineated; instead, they appear to be constructed from overlapping planes, creating an impression of depth and complexity within a relatively small space. This layering contributes to a sense of visual rhythm and movement across the surface. The lines themselves vary in weight and intensity, further enhancing this dynamic quality.
Beneath the design, handwritten text provides additional context: Faisable tout en gris ou en toute couleur – “Possible in grey or in every color.” This inscription suggests that the drawing is a preliminary sketch for a decorative element intended to be adaptable across various color schemes and materials. It implies a functional purpose beyond purely aesthetic consideration; it’s a design meant to be realized, not merely contemplated.
The overall effect is one of controlled ornamentation, where natural forms are filtered through an abstract lens. The drawing conveys a sense of elegance and refinement, characteristic of decorative arts from the early twentieth century. It speaks to a desire for beauty and order within a rapidly changing world, offering a stylized refuge in geometric harmony.