Ex libris Estudi Vert 1915 Pere Daura

The drawing presents a still life composition centered around books and writing implements, framed by elaborate ornamentation. A stack of several volumes dominates the central space; their spines are visible, suggesting a collection rather than individual narratives. These books rest upon what appears to be a small table or plinth, its surface rendered with meticulous detail. Beside them stand two containers: one holding quills, the other seemingly empty, both contributing to the theme of literary creation and study.
Above this arrangement hangs a chandelier from which candles drip wax, creating a visual link between illumination – both literal and metaphorical – and the knowledge contained within the books. The ornate frame surrounding the scene is composed of twisting foliage and decorative elements, lending an air of formality and tradition to the subject matter. This framework suggests that the depicted objects are not merely observed but are also held in esteem or belong to a specific institution or individual.
The inscription at the bottom, Ex Libris, immediately signals its function as a bookplate – a mark of ownership. The subsequent words “Estudi Vert” and the date 1915 indicate an association with a particular educational establishment and pinpoint the work’s creation within a specific historical context.
The overall impression is one of reverence for learning, scholarship, and the act of writing. The careful rendering of details – the texture of the books spines, the delicate lines of the quills, the intricate patterns of the frame – suggests an appreciation for craftsmanship and intellectual pursuits. The use of a bookplate format further reinforces this sense of ownership and pride in one’s library or collection. It is likely intended to convey not only possession but also a commitment to knowledge and artistic endeavor.