29482 Jesús Helguera Ausencia (1910-1971)

The artwork presents a domestic interior rendered in a style that blends realism with surrealist elements. The scene unfolds within what appears to be a kitchen or utility room, characterized by vibrant, almost artificial colors – predominantly blues and oranges – that contribute to an unsettling atmosphere. A central element is the presence of a large, black poodle positioned atop a counter, its posture suggesting it has been interrupted during some mischievous activity. It seems to have pulled down several items from the shelves, including a ceramic frog and various containers.
The composition is layered; the foreground features a patterned rug with an intricate design that draws the eye downwards. A small, tan dog sits on this rug, seemingly observing the poodle’s antics with a detached air. Further back, a deer head mounted on the wall adds another layer of unexpected imagery, introducing a touch of taxidermy and hinting at themes of nature versus domestication.
The background reveals a glimpse of an outdoor scene through a window or doorway. A stylized house is visible beyond a manicured lawn, reinforcing the sense of artificiality and controlled environment that permeates the entire image. The perspective is slightly skewed, creating a feeling of disorientation.
Subtexts within this work appear to revolve around themes of disruption, control, and the intrusion of the unexpected into everyday life. The poodle’s actions symbolize a breaking of boundaries, while the deer head might represent a longing for something wilder or more untamed. The bright colors and unusual juxtapositions contribute to an overall sense of unease and playful absurdity. The title Caught by the Spirit suggests that this disruption is not merely accidental but perhaps driven by some unseen force or impulse.