Jan Sanders Van Hemessen – The Calling of Matthew
1536. Property of Bayerische Staatsgemäldesammlungen
Location: Alte Pinakothek, Munich.
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The light source originates from the upper left corner, dramatically illuminating certain figures while leaving others shrouded in shadow. This contrast emphasizes the central interaction and draws attention to the expressions of those involved. The man pointing toward the seated figure seems to be the catalyst for this moment; his gesture is emphatic, almost accusatory, yet also imbued with a sense of divine authority.
The woman standing beside him displays an expression that blends curiosity and apprehension. Her hand is raised in a questioning manner, as if seeking clarification or confirmation of what she witnesses. The figure to her right appears more detached, observing the scene with a quiet intensity.
A detail worthy of note is the inscription visible on a scroll positioned above the group: Sequere Me – “Follow Me.” This phrase serves as a direct invitation and underscores the spiritual significance of the encounter.
The artist’s use of color contributes to the overall atmosphere. The warm tones of the figures clothing contrast with the darker, more somber background, further isolating them within their immediate context. The meticulous rendering of textures – from the sheen of the coins to the folds of the garments – suggests a focus on materiality and earthly concerns, which are then juxtaposed with the spiritual summons taking place.
Subtly, the scene hints at a transition – a movement away from worldly pursuits towards a higher calling. The abundance of wealth displayed on the table represents the material comforts and obligations that must be relinquished in order to embrace a new path. The young man’s initial reluctance or confusion suggests the difficulty inherent in such a profound decision. Ultimately, the painting explores themes of faith, redemption, and the allure of spiritual transformation amidst the complexities of human existence.