Tressoor #377 Rien Poortvliet (1932-1995)

The composition presents a still life arrangement dominated by several fowl, rendered with meticulous detail and a palpable sense of realism. The birds are scattered across a roughly textured surface, likely intended to evoke a rustic or outdoor setting. A central figure, a large black bird – possibly a crow or raven – commands attention through its size and placement; it appears to be resting or slumped, its posture conveying an air of exhaustion or even defeat. Surrounding this dominant form are other birds in various states: some appear lifeless, lying prone on the surface, while others seem disoriented or struggling. A vibrant red fowl is positioned near the center, creating a striking contrast with the predominantly dark tones of the other subjects.
The artist’s handling of light and shadow contributes significantly to the overall mood. The illumination seems diffused, highlighting the textures of the feathers and the subtle gradations in color. This careful rendering lends a sense of weight and physicality to the birds, emphasizing their presence within the scene.
Above the arrangement, handwritten text is visible. While the language is unfamiliar, its inclusion suggests an intentional layering of meaning beyond the purely visual. The script’s placement above the subject matter implies commentary or narration related to what is depicted below. It could be a poem, a proverb, or some other form of textual annotation intended to enrich the viewers understanding of the scene.
Subtleties in the arrangement suggest themes of mortality and transience. The presence of both living and deceased birds evokes reflections on life cycles and the inevitability of death. The disarray of the composition – the scattered bodies, the seemingly random placement of the fowl – might also be interpreted as a commentary on chaos or disorder. The contrast between the dark, somber tones and the single splash of red could symbolize hope amidst despair, or perhaps highlight the fragility of life. Ultimately, the work invites contemplation on themes of existence, loss, and the natural order.