nature #198 Rien Poortvliet (1932-1995)

The artwork presents a depiction of a mammal in a semi-submerged state against a stark black background. The animals fur is rendered with meticulous detail, showcasing variations in color and texture that suggest dampness and density. Its posture indicates a relaxed buoyancy; the body floats horizontally, supported by water, while its head is turned slightly towards the viewer. The artist has employed a palette of earthy tones – browns, tans, and greys – to capture the animal’s natural coloration.
The compositions simplicity directs attention to the creature itself. The black backdrop eliminates any distracting elements, emphasizing the form and texture of the subject. This deliberate choice contributes to an atmosphere of quiet observation, inviting a contemplative engagement with the image.
Superimposed upon the animal’s body is handwritten text in what appears to be Dutch. The scripts placement partially obscures the creature, creating a layered effect that complicates the reading of both elements. The text seems to flow organically alongside the contours of the animal, suggesting an intimate connection between the written word and the natural world.
The subtext embedded within this combination is open to interpretation. One possible reading suggests a dialogue between human language and the non-verbal communication of nature. The text might represent attempts at understanding or describing something inherently beyond words – the essence of the animal, its habitat, or its existence. Alternatively, the juxtaposition could explore themes of intrusion and observation; the written word, as a tool of human comprehension, partially obscures what it seeks to define.
The overall effect is one of restrained beauty and subtle complexity. The artist has created an image that transcends mere representation, prompting reflection on the relationship between language, nature, and perception.