36968 Francesco di Giorgio Martini (1439-1501)

The painting presents a devotional scene framed within a semicircular halo, typical of late medieval and early Renaissance iconography. At its center stands a woman, draped in dark robes that emphasize her solemnity. A veil obscures much of her hair, drawing attention to her face, which is characterized by a gentle expression and large, downcast eyes. She holds an infant close, cradling his foot delicately within her hands. The child’s gaze is directed outward, seemingly engaging with the viewer or some unseen presence.
Flanking the central figure are two smaller figures, presumably angels, depicted in profile. Their faces possess a similar placid quality to that of the woman, and their golden hair contrasts sharply with the dark tones of her garments. The artist has rendered them with a degree of stylized realism; their forms are somewhat flattened, indicative of the period’s artistic conventions.
The color palette is restrained, dominated by deep blacks, reds, and golds. The gold leaf used for the halo creates an aura of sanctity around the central figures, elevating them above the earthly realm. The limited use of color contributes to a sense of quiet contemplation and reverence.
Subtly, there’s a suggestion of intimacy within the composition. The womans gesture of holding the infant’s foot is tender and protective. This detail, combined with her downcast gaze, conveys a feeling of maternal devotion and humility. The angels, positioned on either side, seem to act as witnesses or guardians, reinforcing the sacred nature of the scene.
The overall effect is one of profound piety and serenity. It’s likely intended to inspire prayer and contemplation in the viewer, offering a glimpse into a realm of divine grace and maternal love.