Jean-Léon Gérôme – Le Jour Du Jugement Dernier
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Forgive us, Lord...
Do not tear pages from the book of our lives...
Trembling and repentance are reflected in thousands of faces.
And only a faint rustling of sacred books can be heard...
The Day of Judgment is coming...
Only through silent self-denial
can the soul ascend to a new level,
breaking within itself the sin of pride.
Small sins – but their sum is heavy:
so subtly we can wound,
in carelessness – failing to foresee consequences,
and words are like sharp arrows.
So preoccupied with ourselves that sometimes
anothers pain passes by like a shadow,
and a light, artificial laugh
can deeply hurt another with unbearable offense.
But what we have forgotten how to do:
to love unconditionally, purely, sincerely –
this sin will never be forgiven us!
Only through Gods mercy is it possible.
Before You, the soul is laid bare...
The words are quiet, but conscience is not a formality:
not fear, but shame; not a request, but guilt....
Forgive us, Lord...
Forgive my sinfulness...
You cannot comment Why?
This painting, titled Le Jour Du Jugement Dernier (The Last Judgment Day), depicts a symbolic and rather grim representation of judgment.
What I see:
The central element is a large, ornate set of scales, suspended from above. On the right-hand side, the larger scales pan is piled high with numerous skulls, representing death and perhaps the weight of sins or the masses. Seated regally atop this pile of skulls is a figure dressed in opulent red robes and a green turban. He appears to be a powerful ruler or dignitary. Attached to the underside of this scale pan and seeming to counterbalance it is a figure with large, dark wings, possibly an angel or a demon of some sort, also draped in flowing red fabric.
On the left-hand side, the opposing scale pan is significantly lighter. It holds a single, pale, possibly pig-like creature, lying on its side with a hint of blood. Above this scale, in the swirling, dreamlike sky, is a prominent, all-seeing eye radiating divine light.
Subtexts:
The painting is rich with symbolism, suggesting themes of: