Amedeo Modigliani – img686
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 1 Ответы
Анна Зборовская.
1917 г.
Холст, масло.
55 x 33 см.
Национальная галерея современного искусства, Рим.
You cannot comment Why?
The artist employed a limited palette of ochre, brown, black, and white, with touches of green in the background. These colors are applied in broad strokes, creating a textured surface that avoids meticulous detail. The figure’s hair is dark and pulled back from her face, emphasizing the starkness of her features. A crisp white collar adorns her neck, providing a sharp contrast to the darker tones of her clothing and skin. This element introduces an air of formality or perhaps even constraint.
The background appears ambiguous; it seems to suggest an interior space with vertical planes that are indistinct and lack precise definition. The brushwork here is looser, contributing to a sense of depth while simultaneously obscuring any clear spatial relationships. A signature is visible in the upper left corner, written in a cursive script.
Subtly, theres a feeling of vulnerability conveyed through the subject’s expression and posture. While her gaze is direct, it lacks warmth or animation. The simplification of form and the muted color scheme contribute to an overall sense of introspection and quiet dignity. It could be interpreted as a study in psychological portraiture, focusing on conveying inner states rather than physical likeness. The formality suggested by the collar might also imply a societal role or expectation that the subject is navigating.