Bartholomew and Joel Pinturicchio (Bernardino di Betto) (c.1452-1513)

The composition presents two figures set against a deep blue background framed by an architectural archway adorned with intricate floral patterns. The scene is bathed in light that emphasizes the textures and folds of their garments.
On the left stands an older man, distinguished by his long white beard and receding hairline. He wears a yellow tunic over a cream-colored undergarment, draped with a pale pink sash. His hands are raised in a gesture suggesting questioning or perhaps hesitant acceptance. The figure’s gaze is directed towards the other individual. A large scroll unfurls from behind him, bearing Latin text that begins Credo in Spiritum.
Facing him is a younger man, characterized by his curly reddish-brown hair and fair complexion. He is clad in a green tunic over a cream-colored undergarment, with a purple sash. His posture is more assertive; he points directly towards the older figure, seemingly offering an explanation or imparting knowledge. A similar scroll extends from behind him, displaying Latin text that begins Credo in Deum.
The arrangement of the figures suggests a dialogue or exchange. The differing gestures and expressions imply contrasting viewpoints or stages in understanding. The scrolls, prominently displayed, indicate the subject matter revolves around faith or belief – specifically, declarations of religious conviction.
The use of rich colors – yellow, green, pink, purple – against the deep blue backdrop creates visual contrast and draws attention to the figures themselves. The architectural frame lends a sense of formality and sacred space to the encounter. The overall impression is one of solemnity and intellectual engagement, hinting at a moment of revelation or conversion.