065 Dante setting sail for Purgatory Divina Commedia (1444-1450)

The composition centers around a dark-hulled vessel depicted in profile, its sails partially unfurled and catching what appears to be a gentle breeze. The ship occupies a significant portion of the central space, suggesting its importance within the narrative it illustrates. It is positioned against a backdrop that lacks any discernible horizon line; instead, the water merges seamlessly with an elaborate border.
This border dominates the visual field, constructed from intertwining floral and foliate motifs rendered in vibrant hues of red, blue, green, and gold. The use of gold leaf lends a sense of opulence and spiritual significance to the scene. Scattered throughout this decorative framework are numerous golden medallions, their purpose seemingly ornamental rather than representational. These elements create an almost claustrophobic effect around the ship, drawing attention to its journey while simultaneously isolating it from any external context.
The absence of human figures is striking. The narrative action – the setting sail – is implied but not directly shown through individuals; instead, it’s conveyed solely by the posture of the vessel and the billowing sails. This lack of human presence contributes to a sense of detachment and emphasizes the symbolic nature of the voyage.
The color palette reinforces this feeling. The somber tones of the ship contrast with the bright, almost celebratory colors of the border. This juxtaposition could be interpreted as representing the transition from earthly concerns (represented by the dark vessel) to a realm of spiritual purification or ascent (symbolized by the vibrant ornamentation). The overall effect is one of stylized elegance and symbolic weight, suggesting a journey undertaken not through physical means but through a process of spiritual transformation.