Kelek – ma Kelek Les Contes de Perrault La Belle au Bois Dormant
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Flanking her are two distinctly monstrous figures. The one on the left is bat-like, with leathery wings and an unsettlingly human face contorted into an expression of predatory curiosity. Its body is adorned with what appears to be intricate jewelry or ornamentation, hinting at a hierarchical status within its own realm. To the right stands another creature, feline in form but possessing an almost regal bearing. It too wears elaborate adornments, suggesting a similar level of importance and power. The contrast between their forms – one airborne and seemingly chaotic, the other grounded and poised – creates a dynamic tension within the composition.
At the base of the scene sits a sculpted sphinx, its expression impassive and ancient. This figure acts as an anchor to a sense of history and tradition, grounding the fantastical elements in a recognizable cultural context. The sphinx’s presence suggests that the events unfolding are not merely whimsical but carry significant weight within a larger narrative or mythology.
The color palette is dominated by muted earth tones – grays, browns, and creams – which contribute to an atmosphere of mystery and antiquity. The limited use of brighter colors, primarily in the figures radiant glow and the creatures’ adornments, draws attention to key elements and reinforces their symbolic significance.
Overall, the painting evokes a sense of unease and wonder. It suggests a world where ancient powers intersect with strange beings, and where human identity is fluid and mutable. The artist has crafted a scene that invites contemplation on themes of transformation, power, and the enduring allure of the unknown.