#44699 Aurelio Arteta (1879-1940)

The composition presents a rural scene populated by three figures and a goat. The artist has arranged them within a shallow pictorial space, creating a sense of immediacy and intimacy. A young woman kneels in the foreground, actively engaged in milking the goat. Her posture is bent forward, her focus entirely on the task at hand; she wears a red skirt and a white blouse.
Two other women stand behind her, observing the scene. The one on the left holds a basket and what appears to be a fowl tucked under her arm. She gazes directly out of the picture plane with an expression that is difficult to decipher – perhaps a mixture of concern or quiet contemplation. The woman positioned further back carries a large vessel, likely for storing milk. Her stance is more formal, suggesting a position of authority or seniority within the group.
The color palette is dominated by warm tones – ochres, yellows, and reds – which contribute to an overall feeling of heat and intensity. These colors are applied in broad strokes, creating a textured surface that obscures precise detail and emphasizes the emotional atmosphere. The background appears indistinct, rendered with hazy washes of color that suggest a landscape without specific features.
The painting seems to depict a moment of everyday life within a rural community. It is likely intended as an exploration of labor, tradition, and the connection between humans and animals. The women’s expressions are not overtly joyful or sorrowful; instead, they convey a sense of quiet resilience and acceptance of their roles within this agricultural setting. Theres a suggestion of cyclical existence – the milking itself representing sustenance and continuity. The subdued lighting and limited depth contribute to an atmosphere that is both familiar and slightly melancholic, hinting at the hardships inherent in rural life while also celebrating its enduring spirit.